I took this as the conversation they had after the sex, but I suppose it could also be the conversation that pops up in their developing relationship. The girl is speaking once again pleading with the director to help her make it big and become a star and give her the role she needs. Or maybe this is a developing relationship and that’s just the name he gives her. This is the first and only time we’re hearing the voice of the director who’s teasing her with fond (but ridiculous) pet-names during sex. “You're my little sparkle, jump-rope queen, You know you like this.”Īgain, at this point I think she’s just hoping for someone to look after her and make sure she gets the roles she wants. She’s telling him, “You know you like this. Similar meaning as before, only this time the girl and the director are in bed together. “Come on, you know you like (doo!) little girls….” “Bet he didn’t think he’d enjoy me this much. She takes delight in this little victory of pleasuring him as it’s one step closer to maybe landing the role she wants. She relishes in the fact he’s enjoying himself as she satisfies him with sexual favours. So he takes the bait and decides to sleep with her. He didn't know he'd have this much fun….” I also think she’s hoping for someone to look after her, that is, get her the roles she wants. She’ll be a ‘good little girl’ and he can be the ‘daddy’. She’s now letting him know that she’s ready to submit herself entirely to his will. She’s coaxing the director into sleeping with her, tempting him with her youth. “Come on, you know you like (doo!) little girls…” She's auditioning for a director, thinking to herself "if he fancies me pretty enough, he just might take me to his place, sleep with me, then give me this role to compensate." Not wanting to return home either because she knows she has nothing there for her except maybe a boring life filled with boring people or because she doesn't want to return defeated and not the big actress she promised everyone she was gonna be, she swallows her dignity and begins sleeping with numerous directors and influential people in return for roles in movies. Reality soon hits hard, though, as she gets doors slammed in her face again and again and again. So a girl leaves home for Hollywood 'cause she knows in her heart she's gonna make it big or at least has a really good chance. Though this is the story of a lot of young girls, for the sake of interpretation I'm going to type in singular terms. They'll have plenty of money to buy more when they make it 'big'), leave home, and then set sail for Hollywood only to be met with disappointment and then left with a few options: go home, pursue some other life, or sleep your way into roles. This song is representative of all the young girls who've convinced themselves that they are born to be stars and so give up everything, pack their bags (just a few things. You can be my daddy (come on little girl, come on little girl) Put me in a movie (little girls, come on, you know you like) Put me in a movie (come on, you know you like) You're my little sparkle (sparkle, sparkle, sparkle, sparkle) Come on, you know you like little girls (dooh)
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